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SH1, SH- 3. A, SH- 7. There's the SH- 1.
SH1, SH- 3. A, SH- 7.. The Mini isnt any of those things - we chose to sample it because you can get sounds these older synths just arent capable of. And unlike most of the other modern analog stuff, the Mini isnt trying to mimic anything from the past - it has a completely distinctive voice thats both futuristic and nostalgic. The Mini isn't any of those things - we chose to sample it because you can get sounds these older synths just aren't capable of. And unlike most of the other modern analog stuff, the Mini isn't trying to mimic anything from the past - it has a completely distinctive voice that's both futuristic and nostalgic. The Mini isn't any of those things - we chose to sample it because you can get sounds these older synths just aren't capable of. And unlike most of the other modern analog stuff, the Mini isn't trying to mimic anything from the past - it has a completely distinctive voice that's both futuristic and nostalgic.
There's the SH- 1. SH1, SH- 3. A, SH- 7.. It's similar in sound to the famous DX7 but grittier and tougher, due to its overdrive- able DAC.
In fact, it has a similar vibe to the SP- 1. It is the sound of early Detroit techno (specifically the Solid Bass patch), Roger Troutman's talkbox (the Hard Brass patch), countless 8. Lynch- esc soundtracks, hotel lounge vibes and so much more. It's similar in sound to the famous DX7 but grittier and tougher, due to its overdrive- able DAC. In fact, it has a similar vibe to the SP- 1. It is the sound of early Detroit techno (specifically the Solid Bass patch), Roger Troutman's talkbox (the Hard Brass patch), countless 8. Lynch- esc soundtracks, hotel lounge vibes and so much more.